The Human Condition

Week two has begun. I am constantly learning about and shaping Batgirl. Different audiences help with that. Sometimes you have a laugh out loud crowd. And that makes my job real easy. I know that I am making them laugh. I am funny, good. Then there are nights when there are “smilers”, people who you know are enjoying the show, but are quiet none-the-less. That is what throws me off. It has always been an issue with me and comedy…I think funny = laughs and bad = no laughs. I know that isn’t the case. But I am an actor, that’s my fear - that no one is listening. But I know they are.

A question that I have been pondering recently is line drops/mess ups. This is a big damn show to memorize, especially in a short amount of time with limited rehearsals. And sometimes mistakes happen. It happened to me…big time. But I got over it, didn’t run off the stage (thank God), and the non-theatre people didn’t see my mind explode (which it did). And after that happened, I, of course, got angry and cried. I was frustrated with myself immensely. But why? Was it because I looked stupid on stage in front of all those people? Or was it because I feel that I somehow failed my audience? They are the whole reason I perform. For them. So if I miss a line, flub my words, forget, the audience loses out on the experience…but they actually don’t. They experienced theatre. Live theatre. And sometimes it is messy. Sometimes it is wrong. But it is living and breathing and changing. And that is pretty awesome. Because isn’t failure part of the human condition?

-Liz

From the mind of Batgirl...

Hello! I am Liz Rimar. I play Batgirl. I am writing a blog for you now.

So basically I got a call from our beautiful director, Greg, asking if I wanted to be part of his show, "The Superheroine Monologues". I said heck yes, and here I am. The rehearsal process has been a QUICK one. But I liked it - once I actually got the lines down, it was getting my basic blocking and then playing. Just playing. And for someone who went to drama school and has mostly found acting work in more serious plays, this is a breath of fresh air. Don't get me wrong, I love dramatic pieces and the whatnot, but I am a total goofball at heart. I did have the pleasure of performing in Company One's "Assassins", as basically the comedic character of the piece. But I need silly and ridiculous. And this is what this play is. And the brilliant thing is, as silly as it is, there are poignant moments in each and every monologue.

As for being Batgirl. Wow. She is such a wonderful character. So happy, but like all well written characters, so sad on the inside. She plays to all of my OCD-like habits, and my secret need for perfection. I get to be girly and flip my hair and talk about boys! The research was a blast. And The Poseidon Adventure = amazing! (You'll have to see the show to know what the heck I am talking about). The one thing that I am worried about is performing in my costume. It is a full on spandex bodysuit. And when I first put it on, it severely limited my movement. And I as a person move and flail about a lot. But the containment and constriction of the costume will more than likely have a positive effect on my perfect posture and perfect character. With perfect hair.

-Liz

ARTiculation Begins

Hello beautiful people out there in internet world. This is your master of ceremonies, Duke of Linguistics, Commander of Funk, and all around good guy, Tory Bullock. For the duration of these first ever ARTiculation blog entries I will be playing the part of your poetic flight coordinator, weaving you through the ins and outs of the production. While I come with many titles, the one that I am most proud of is "co-founder of ARTiculation". For those of you who don't know, ARTiculation was founded in the steamy hot summer of 2005 by cast members Danny Balel, Terri Deletetsky, Simon Moody, Adobuere Ebiama, Nik Walker, and yours truly. Along the years we have shifted and shaped to form many different variations of which I am as proud of as the one we are currently taking. This is our first mainstage performance run of ARTiculation with four of the original founders performing. Danny, Terri, Nik and I, and new members Mike Cognata, Marvelyn McFarlane, Liz Rimar, and DJ Reazon, will be coming to you guys with 13 powerhouse shows, and we hope you're ready (i.e we hope you all have gone online and purchased your tickets!)

Since I get to talk to you guys well before the show even opens, there will be tons of breaking news (which i will represent by saying *BREAKING NEWS*) about sets, sounds, backstage updates and all of that jazz. Did Nik Walker injure himself in a musical retelling of the grinch that went awry? Did Danny Balel have an unfortunate tongue twister poem accident that resulted in him having to be sidelined for a show or two? These are the juicy gossip details that you will only find here at the C1 blog.

Enough of the small talk - here comes the juicy information that I know you all are dying for. We had our last script / production meeting last Sunday and let me just tell you all how EXCITING it was! We were sitting in our director's apartment, and just looking around the room gave me this intense feeling of "wow, we are really going to have an amazing show." For those of you who are in the dark, this run is, in part, a culmination of four years of tweaking, performing, touring, work-shopping, and testing, so I compare this run to a person who has been training for the Olympics for four years and then finally gets the chance to step onto the world's greatest stage.

That is exactly whatʼs going to happen in January when we set foot on the Boston Playwrights' stage, backed by Bostonʼs most creative and innovative Theatre company, Company One, all the while standing next to great friends who have been building this piece for years. It is going to be amazing, and I look forward to taking everyone through the process with us.

More soon...
Tory