Closing Night! (and some concluding thoughts...)

Hey, hey, hey!

Well, as it is well known by now, THE OVERWHELMING, sadly, has closed. The show wrapped up last Saturday with a truly brilliant performance given before a very enthusiastic and appreciative crowd. Not surprisingly, it's always sad for me to see a show wrap up. Everyone, from the actors to the crew to the design team, put so much into the show, and, in some ways, you don't want to see it ever end. There's so much preparation, so much that goes into the staging of a production, only to have the actual run just fly by. So much time is taken in getting the show ready and on its feet, and then, it's over so fast. But, this is the nature of theatre. In fact, this is what's so amazing and vital about theatre. You have to catch it before it's gone. Theatre is a must-see event that waits for no one.

What's amazing though, is how together we all created a coherent world on a formerly empty stage. We took a gutted playing space, a blank canvas if you will, and sculpted on it a fully realized, unified world by bringing together costumes, lighting, set, sound, and actors. What's amazing is how less than 12 hours after the show ended, the stage is back to its "natural" state, eager for the next company to come in and create any entirely new world. It took almost two months to create the world of the OVERWHELMING, yet it took mere hours to remove it. But, again, that's theatre for you!

Another thing I want to talk about is something that I brought up in a previous entry: the way in which the show changes over the course of a run. During the three weeks, I saw about 7 performances, and each one, however subtle, was very different from the next. Sometimes, the actors were doing things you did not necessarily want to see. Sometimes scenes moved too fast or too slow, or the actors skipped a small section of text, things that happen in all productions all the time. The kinds of things that only I or someone who's worked on the show, been at every rehearsal, and is intimately familiar with the text and flow of the show would observe, but that would easily pass by unnoticed by audience members. But, other things that changed were simply great to see. I saw so many of the actors become increasingly more comfortable in their characters' shoes and in the space. They realized new things about the text and came to a different, while still justified, delivery of a line. Sometimes, even a whole scene shifted dramatically, taking on an entirely new meaning, while still fitting in with the play as whole. What many people don't realize is that prior to the official run of a show, actors and stage management often don't have that many opportunities to run the whole show from beginning to end. I don't think many people realize this, but we ran the whole show in its nearly final state with all the actors less than 5 times prior to opening. With the myriad of things that needed to be figured out - all the scenes and scene shifts, the costume changes, the huge list of technical cues - it was hard to get in a lot of actual runs, not nearly as many as I'm sure everyone wished we could have afforded. Although the actors certainly covered it well, because they're all such skilled performers, they were still feeling out what the whole show was supposed to be from beginning to end and at the pace at which it needed to be maintained, even by opening night. The actors were still figuring things out during the run, and it was so great to see them continue to explore and try new things, while still sticking to the overall layout of the show as decided in rehearsals.

After the curtain call of the final performance and after the audience had departed from the lobby, the entire cast, crew, and C1 staff came together in the theatre and raised a glass to commemorate everyone's efforts. It was the first time in a while I saw everyone in the room together at the same time, and it was quite moving. You could feel the real emotion that was present among all of us collectively. Everyone knew they had just wrapped up something really important, and pride was resounding off the walls as hugs and kind words were exhanged. It was a joy to take on this play, and everyone certainly knew it without ever having to say it.

The book may be closed on this show, but the best thing you can do is move on to the next. Company One is following up this great show with an equally challenging yet inspiring show, THE GOOD NEGRO. I can't wait to see what happens with that. And honestly, who possibly could?

Over and Out,
Max

All In One

Hello Ladies and Gents,

It is I, Tory Bullock, here and back in full effect for one last final post. Hold your "awwws" and "please don't go’s" because it is time for me to fade off into the sunset with my ARTiculation crew riding towards our next adventure. Due to the fact that i have fallen behind in a lot of the bloggage (yes i did in fact make up a word) this blog will be the most epic in length blog you will ever see, so brace yourself. I will be breaking down this blog into weeks so you will be brought up to speed on the entire process, and not just reflection. So our story will pick up where we left off: opening week.

OPENING WEEK:
Wow. The day is almost here. We are all set with costumes, the set is done, our dressing rooms are in order, our headshots are already up in the lobby, AND i just found out that i can get a free gift card to Qdoba which happens to be the main outlet for actual food around the theatre so it goes without saying that i am a very happy man. This is the first show that I’m not nervous for. I have done a lot of Theatre in my time - even though my time hasn't been very long, it is still time none the less and i have never not been nervous. This is due, yet again, to the fact that what we are performing has been a part of my life for so long. We have performed this piece in so many different ways that to do it in the same space with the same cast every night is really a relief. But while i am not nervous i am something else that may prove to be a little worse and that is 100% anxious. I say its worse because with my anxiousness comes the questions that actors DREAD: "Will people come?" "will they like it?" "am i going to mess up?" and those questions are currently making the rounds in my head…

OPENING NIGHT into WEEK 2:
I’m at the Theatre early. Call is at 6:30 and i am here at 5. Call it being antsy but i just could not stay home and from the looks of it neither could the rest of my cast. We are all here with the exception of Ms. Terri D. Nik is lying down on the stage doing his "actor thing" while Danny is sitting in the audience chairs going over his lesson plan for his class the next week. Lindsay is cueing lights with Mark and Eliza, Marvelyn is in the dressing room listening to Beyonce and eating mac and cheese, i am watching it all. Like an old man sitting on his porch with a cup of ice cold lemonade on a blistering hot day, i sit on the side of the stage and just watch in complete awe of everyone and everything that is about to happen. I’m still NOT NERVOUS, but there is a new feeling: pride. i am filled with such pride to share the stage with these people. From the core four all the way to the new recruits, we have become a real family and in the wonderful gypsy world of theatre you don't get too many of those – I’m still trying to figure out how i got so lucky. Fast forward two hours and we are at half hour until the show begins. We have already done our group warm ups - you could tell because the back rooms were filled with air, breathe, bellowing diaphragm supported hoots, and insane calls of UNIQUE NEW YORK (its a tongue twister try it sometime. Repeat it over and over UNIQUE NEW YORK). But the time for group warm ups has ended and we all find our own space in our dressing rooms and just get ourselves to a place where we can fully understand what we are about to do. For a lot of us this isn't just a show - this is a belief and a mantra. This show has been there for us when our own family and friends weren’t. It is much more than theatre because it is a piece of all of us. As Eliza comes through the door and gives us the call that all actors gear up for - "Places" - i stand up, look over at Nik and Danny and just say "Lets go". The Show was AMAZING! Wow it was one of those things where you couldn’t anticipate what the reaction would be, but once you got it you knew that everything was going to be ok and it was. It REALLY WAS!

WEEK 2:
So now the real game begins because since we have been chosen to be Company One’s "Page to Stage" educational production, we perform 10am shows with an 8am call - I don’t mind because I love the kids! The shows were really good - the kids get things that the late night crowd doesn’t pick up on sometimes so it was a lot of fun.

CLOSING NIGHT:
Ok so this is the big one. Emotions are running high and everyone is moving a little bit slower. I can see everyone's faces both excited and sad because this is the last time we will do this show in this space. After working on something for so long you miss it soooo much when it suddenly leaves. But we are actors and the job at hand is to put on a show and it is beyond me to not give two of the best last shows of all time.

We are back stage waiting, getting prepared to do it one last time. Before we go on stage I pull Terri, Nik, and Danny to a small section of the back corridor and we get into a huddle. Since I am a private guy (hah!) i will not tell you exactly what was said, but we all gave each other one big hug in acknowledgment of the journey that the four of us have taken as original creators of ARTiculation. Eliza comes through the doors and says "Places." We all walk out, and proceed to leave as much of ourselves as we can on that stage. Hopefully, we entertained some people while doing it.

-Tory